This Week in Texas Methodist History August 31
Texas Methodists Celebrate Centennial September 4-6, 1934
Exactly eighty
years ago this week Texas Methodists met in San Antonio for the most important
historical observance of the denomination’s long, colorful history in
Texas. They were celebrating the
centennial of the founding of McMahan’s Chapel in Sabine
County which they claimed was the
oldest Methodist Church
in continuous existence in Texas.
San Antonio was the chosen site for the three day celebration
because the organizers were trying to link Texas Methodist history with the
stirring history of the Texas Revolution and Republic eras. Most of the activities were held in the
Municipal Auditorium, built in 1926, and featuring a painted stage curtain with
images of Travis, Bowie, Crockett, and Bonham.
Other venues included the open air theater in Brackenridge
Park and a 7:00 a.m. service on
September 6 at Alamo
Plaza where the Hon. John
Calvin Box, a scion of the pioneer Box family who brought Methodism to Houston
County. Box was a five-term congressman
for East Texas who, when defeated in 1930, practiced law in Jacksonville.
He had been one of the founders of SMU.
Seven bishops
(Smith, Boaz, Hay, Arthur Moore, John M. Moore, Hughes {MEC}, and Mead {MEC})
stirred attendees with historical addresses, but the climax was the original
pageant, Comrades of Conquest under
the direction of Miss Jeston Dickey with the assistance of her sister Bessie
Lee Dickey Roselle, both public school drama teachers and cousins of Bishop
James Dickey (dec.). Conquest consisted of 750 performers in
8 episodes and 4 tableaux and one pantomime.
Dickey took an outline from a committee consisting of young preachers
including Byron Lovelady and Lance Webb (later Bishop), Carroll Moon, Hubert
Bracher and James Paul and Mrs. Forrest Dudley and Mrs. Joseph Connally.
Dickey assigned
different episodes to different churches.
Laurel Heights provided the actors for the episode of the beginnings of
Methodism in America; Travis Park members portrayed the Christmas Conference;
McKinley Avenue was assigned McMahan’s Chapel; South Alamo Church provided the
cast for “An Interview with Colonel Travis,”; Woodlawn members acted out the
General Conference of 1836; First Methodist Corpus Christi supplied the talent
for the organizing session of the Texas Conference in 1840. Denver
Heights church drew the assignment of
telling the story of early Texas
colleges. The last episode was very much
a “back of the bus” nod to ethnic groups.
The German churches were portrayed by church members from Llano, Mason,
and Gillespie Counties;
La Trinidad (incorrectly listed in the program as “Trinity”) produced the
Mexican Mission episode, and St. Paul’s M.E. Church
ended with the African-American
Church.
That was not
all—The Conquest continued with a
process of the agents of conquest—college students, nurses, doctors, and
missionaries—finally a very large choir finished with Handel’s Hallelujah Chorus.
Most of us know
about the Centennial Celebration through the Yearbook which Olin Nail edited.
It is a curious pastiche of pictures, essays, etc, but it also contains
the Journals of the five MECS annual conferences in Texas for that year.
I invite the
reader to look past the obvious quaintness, racism, sexism and other such aspects
to see the Centennial Celebration in a different light.
Texas Methodists
were in the process of forging a new identity based on their Texan roots rather
than their Southern roots. They knew
that movement toward unification was proceeding, and that the word, “South”
would be dropped from the denomination’s name.
Many of the leaders were swept up in the excitement over the celebration
of the Texas Centennial of 1936. The
mid-1930’s from about 1932 to 1939 marked the era of most interest in Texas
Methodist history and also the most unity the annual conferences ever
experienced. The Texas Methodist
Foundation is only one example of the fruits of that unity.
The Centennial
Celebration, followed by the joint meeting of annual conference in Houston in 1936, and
renewed interest in McMahan’s Chapel were important building blocks in creating
a sense of unity in Texas Methodism achieved at no other time.
0 Comments:
Post a Comment
<< Home